Adam Rapp's "Nocturne"directed by Juan Souki at Luna Stage
The strong-jawed Henzler [...] recounts the tale with great emotion, imbuing it with inconsolable sorrow. [...] Near play's end, Henzler gets a chance to smile with unrestrained glee. The effect, after 100 minutes of seeing pain in his face, is both shocking and welcome.
- Star-Ledger Staff, by Peter Filichia, 11/27/2006
Oliver Henzler shows us the young man's nervous insecurity, projecting the awkwardness and vulnerability of someone whose wings have been shattered.
- Talkin' Broadway Regional news & reviews, Bob Randell, 11/29/06
Henzler effectively conveys the vulnerability of the young man haunted by an horrible act; his psychic pain is evident in his eyes and nervous body language.
- Recorder Newspapers, by Ruth Ross, November 2006
The actors' performances are energetic, focused and entertaining - these four are very talented people.
- The Montclair Times, Thom Molyneaux, 11/22/06
An evening with Dacia Maraini at the Martin E. Segal Theater Center at the CUNY graduate center
Oliver Henzler and Shawn Elliott who gave both a convincing portrait of "l’uomo giusto," Leopoldo Notarbartolo, and the shady Palizzolo, at the opposite poles of law and justice within a circle of corrupt hospital employees.
- US Italia Weekly, reviewed by Maria Luise Caputo-Mayr, 5/14/06
The works were brilliantly interpreted by Monica West, Kathy Lee Hart, Silvia Giampaola, Judith Malina, Oliver Henzler, Hanon Reznikov, Raymond McAnally, and Sam Tsoutsouvas.
- Oggi 7, magazine of American Oggi, reviewed by Gina Di Meo, 5/7/06
Turtle Back Theater's
"Rashomon" inspired by Kurosawa at St Verronica's
Church
The murdered husband (Oliver
Henzler)
describes the events through a medium . . . Henzler's husband is a model of nobility.
- Backstage, reviewed by Andy Propst,
4/23/04 |